As with so much else, William Gibson got there before just about everyone else. In his 1984 novel Neuromancer, which despite its deservedly huge rep probably still doesn’t get name-checked as often as it should, Gibson foresaw the utility of citizen camouflage, the political necessity to stay anonymous, to hide in plain sight. Here are a couple of quotations from Neuromancer:
The Panther Modern leader, who introduced himself as Lupus Yonderboy, wore a polycarbon suit with a recording feature that allowed him to replay backgrounds at will. Perched on the edge of Case’s worktable like some sort of state of the art gargoyle, he regarded Case and Armitage with hooded eyes.
The precis began with a long hold on a color still that Case at first assumed was a collage of some kind, a boy’s face snipped from another image and glued to a photograph of a paint-scrawled wall. Dark eyes, epicanthic folds obviously the result of surgery, an angry dusting of acne across pale narrow cheeks. The Hosaka released the freeze; the boy moved, flowing with the sinister grace of a mime pretending to be a jungle predator. His body was nearly invisible, an abstract pattern approximating the scribbled brickwork sliding smoothly across his tight one piece. Mimetic polycarbon.
Those things were written thirty years ago. It’s now 2014, and we’ve all seen Facebook find the faces in our pictures with alarming alacrity.
Leo Selvaggio wants to do something about it, and he wants to use the logic of crowdsourcing to do it. Using 3D printing technology, Selvaggio has developed a simple, hard resin mask based on his own face, and he would like as many people as possible to use it in public settings, to confound the cameras that are always watching us and tracking our movements.
Posted by: Martin Schneider – continue reading at DANGEROUS MINDS